Exhibition

Derek Jarman:

Delphinium Days

 

15 June – 14 September 2024

 

 

Derek Jarman

(UK)

 

Howard Sooley

(UK)

 

Gordon Rainsford

(Kenya/UK)

 

Denis Doran

(UK)

 

Derek Brown

(UK)

‘Blue of my heart

Blue of my dreams

Slow blue love

Of delphinium days’

 

Artist and activist Derek Jarman (1942-1994) is one of the most important and influential figures in twentieth century British culture. As an early campaigner for the rights of the LGBTQIA+ community and people living with HIV and AIDs, he created art that sought to challenge the normative culture and reigning neoliberal politics of his (and our) times.

Jarman’s prolific artistic practice spanned painting, film, installation, writing, set design and performance. Possibly his most enduring legacy is his garden and former home of Prospect Cottage in Dungeness—a refuge and retreat that fuelled his creativity and has become a site of pilgrimage for visitors worldwide.  Jarman is perhaps best known today as a pioneer of experimental film while his fusing of art and activism is especially important in the development of many queer artistic practices.

Born Michael Derek Elworthy Jarman in Northwood, England, Jarman’s whakapapa connects to Aotearoa through his father Lancelot who was born in Canterbury in 1907. Though he never set foot in Aotearoa following his father’s return to Britain, Jarman’s familial and imaginative connection to the country is present in his writing and contributed to his love/hate relationship with a modern Britain under conservative political leadership.

This exhibition brings together rarely seen paintings and films by Jarman alongside photography and archival materials about the artist. Derek Jarman: Delphinium Days marks thirty years since the artist passed away from an AIDS-related illness at the age of 52. This is the first Aotearoa New Zealand exhibition of his work.

 

Derek Jarman: Delphinium Days has been co-developed by Gus Fisher Gallery and City Gallery Wellington Te Whare Toi. The exhibition is co-curated by Lisa Beauchamp, Curator of Contemporary Art at Gus Fisher Gallery, Aaron Lister, Senior Curator (Toi) at City Gallery Wellington Te Whare Toi, and Michael Lett.

The exhibition was made possible with the lead support of Tony Kerridge and Micheal Do, with additional support of the City Gallery Wellington Foundation, the Delphinium Days Exhibition Circle, and those who wish to remain anonymous. The Auckland public programme is brought to you by Burnett Foundation Aotearoa with additional support from the Gerrard and Marti Friedlander Charitable Trust, the Sir William & Lady Manchester Charitable Trust and cinema partners, The Capitol Cinema. With thanks to the Keith Collins Will Trust and Amanda Wilkinson, London. Films courtesy of LUMA Foundation and James Mackay.

Derek Jarman: Delphinium Days will be presented at The Dowse Art Museum in partnership with City Gallery Wellington 28 September – 26 January 2025.

City Gallery Wellington Te Whare Toi logo   

   Burnet Foundation Aotearoa Logo

    Aalto Logo

    The Capitol Cinema Logo

This exhibition explores themes of illness and death, with explicit discussions of HIV and AIDS. A few of the artworks include religious imagery, strong language and some nudity. Please ensure children are accompanied at all times and consult a member of the gallery team if you have any questions.

 

Download

 

Exhibition leaflet

Work labels

Accessibility

 

  • Low and variable lighting throughout
  • Low rope barriers in front of paintings
  • Moving image works with sound
  • Sofa-style seating
  • Large print labels available on request
  • Wheelchair accessible with staff assistance
  • Wheelchair accessible bathroom via lift
  • Guide dog friendly
  • Quiet hours for low-sensory viewing run every Friday from 4-5pm and every Saturday from 10-11am. During quiet hours, the exhibition viewing conditions will be adapted to minimise sensory overwhelm, including reduced sound volume and altered lighting

 

Expectations

 

  • Free entry
  • Complimentary exhibition and public programme leaflets
  • Please protect artworks by not consuming food or drink in gallery spaces
  • Please protect artworks by staying behind rope barriers at all times
  • Photography for personal use only, no filming or flash photography permitted
  • Wet umbrellas to be stored in the stand provided near entrance
  • Large bags or oversized items to be left with gallery reception

 

A painting with red, purple and yellow paint with the words "Drop Dead" in the centre. Two black and gold paintings appear to the right. The room is dark with spotlighting on the paintings.
A large yellow, green and brown painting with violent brushstrokes and the words Arse Injected Death Syndrome.
A film sceen featuring a sunset at the beach. A nude man holds up a starfish at the edge of the frame.
A horizontal line of small photographs by Howard Sooley on a dark brown wall, flanked by two white pillars.
A black painting with gold bullets, an American cheque, and a broken panel of glass embedded in the surface. The words "God Bless American Express" are scratched into the bottom of the painting.
Three black and white photographs by Denis Doran including a nun placing a crown on Derek Jarman's head.
A filmed beach scene and a starfish is visible through a glass door. On the right, two paintings hang on a dark brown wall.
Photographs by Howard Sooley set against a dark brown wall. Includes the artist on a shingle beach at Dungeness, and a table with green telephones.
A horizontal row of black and red paintings on a brown wall.
A red and black painting with an oval photograph of a young man in uniform at the top centre.
A dark brown wall with white text introducing the exhibition Derek Jarman: Delphinium Days.
A canvas adorned with objects. Two blue Skeletor toys appear in the lower left and right corners. In the centre, a He-Man action figure is bound to Christ on the cross. A squashed beer can is in the top left corner and a heart made of white beads is in the top right corner.
A black and white photograph of Derek Jarman with his face inclined towards the sun and eyes closed, surrounded by three Sisters wearing nuns habits.
A large painting on a dark brown wall. The painting has the words "Drop Dead" against a background of red, purple and yellow paint.
A television mounted on the wall with a ball of grey rope on the screen. Headphones hang beneath the television.
Blue and white waves captured on grainy film are projected onto a large screen.
A gold-plated plaque with the words "The Lords Prayer" is surrounded by dried flowers embedded into the surface of the work with black tar.
Black and white photographs of Derek Jarman's canonisation on the shores of Dungeness. Sisters encircle a joyous Jarman, who's cottage can be seen in the background.
Two paintings on a dark brown wall. Both have slogans written in the centre against colourful backgrounds. Painting on the left reads "Arse Injected Death Syndrome". Painting to the right reads "Blind Maniac".
Two black and gold paintings on a dark brown wall.
A film still featuring a Union Jack flag on fire, engulfed in orange flames.
Photographs by Derek Brown of people filming Derek Jarman's "The Garden" on a beach in Dungeness.
Seven colour photographs by Howard Sooley, encased in a white frame next to a doorway.

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Gus Fisher Gallery
74 Shortland Street
Tāmaki Makaurau Auckland Central 1010

Tuesday – Friday:
10am – 5pm
Saturdays:
10am – 4pm